Poetic Living

From Oriental Secrets of Graceful Living (1963) by Boye de Mente:

SHINMIRI (Sheen-me-ree). Another word that is laden with a serene type of sadness is shinmiri. A completely colloquial term known and used by all Japanese, shinmiri refers to a type of atmosphere that is charged with intimate tranquility and sad contentment, and is characteristic of traditional life in Japan. The idea of passing time alone, austerely, while letting one’s mind dwell on nostalgic events of the past, or giving up the hectic life of the city for a quiet, rustic type of existence in some isolated countryside, is not unique to Japan. But no other people crave it like the Japanese. As a result of this craving, the Japanese attempt to create the atmosphere of shinmiri in their surroundings, their music and their literature. Rain is often one of the most important ingredients of a shinmiri atmosphere. An afternoon spent sitting quietly in a Japanese style room that looks out over a garden which is being pelted by a late fall rain is certain to be flooded by a strong sense of shinmiri.

Poetic Living

From Proust and Santayana (1937) by Van Meter Ames:

“To live aesthetically does not involve literally following the example of Santayana or anyone else who has a sense of beauty. It does not require living abroad or in an ivory tower. It does not necessarily mean devoting oneself to the fine arts or to the society of artists; nor does it involve the artificialities often practiced by “aesthetes.” Aesthetic is simply appreciative living, with awareness of lights and shadows, textures and tensions. It is living religiously without religion, with a sense of awe and gratitude; with inner joy, in the senses and the mind, in the revelation of the mystery and majesty of the universe; it means welcoming the sun of each succeeding day, the stars of each new night; responding to friends, wondering at their otherness and nearness; and ever marveling at being alive, being oneself, or dreaming.”